Taken from IMDb
Straight Outta Compton
Ratings: 8.0/10 from 74,044 users Metascore: 72/100
Reviews: 264 user | 313 critic | 41 from Metacritic.com
Concussion
Ratings: 7.1/10 from 12,574 users Metascore: 56/100
Reviews: 78 user | 118 critic | 38 from Metacritic.com
Beasts of No Nation
Ratings: 7.8/10 from 27,278 users Metascore: 79/100
Reviews: 77 user | 157 critic | 30 from Metacritic.com
Creed
Ratings: 8.0/10 from 62,255 users Metascore: 82/100
Reviews: 234 user | 321 critic | 42 from Metacritic.com
The Revenant
ratings: 8.3/10 from 129,989 users metascore: 76/100
reviews: 589 user | 333 critic | 50 from metacritic.com
The Big Short
ratings: 8.0/10 from 45,815 users metascore: 81/100
reviews: 185 user | 284 critic | 45 from metacritic.com
Bridge of Spies
ratings: 7.7/10 from 76,219 users metascore: 81/100
reviews: 241 user | 384 critic | 48 from metacritic.com
The Martian
Ratings: 8.1/10 from 298,294 users Metascore: 80/100
Reviews: 803 user | 501 critic | 46 from Metacritic.com
Mad Max: Fury Road
ratings: 8.2/10 from 433,022 users metascore: 89/100
reviews: 1,416 user | 698 critic | 47 from metacritic.comoom
Spotlight
ratings: 8.3/10 from 30,868 users metascore: 93/100
reviews: 150 user | 236 critic | 44 from metacritic.com
Brooklyn
ratings: 7.7/10 from 17,895 users metascore: 87/100
reviews: 95 user | 231 critic | 42 from metacritic.com
The first score is how the kids vote them and the metascore is who well journalists rate them. I find the higher the metascore, aboove 80, the more the film appeals to middle-age and older audiences, and the higher the first score, the more younger people like the film. Mind, new movies have high general scores, which drop after a year or so.
I feel the metascoire is less influenced by the arty factor than it is when it comes to Oscar winners. As well, the general vote from younger people seems to move even farther away from the arty factor.
Straight Outta Compton
Ratings: 8.0/10 from 74,044 users Metascore: 72/100
Reviews: 264 user | 313 critic | 41 from Metacritic.com
Concussion
Ratings: 7.1/10 from 12,574 users Metascore: 56/100
Reviews: 78 user | 118 critic | 38 from Metacritic.com
Beasts of No Nation
Ratings: 7.8/10 from 27,278 users Metascore: 79/100
Reviews: 77 user | 157 critic | 30 from Metacritic.com
Creed
Ratings: 8.0/10 from 62,255 users Metascore: 82/100
Reviews: 234 user | 321 critic | 42 from Metacritic.com
The Revenant
ratings: 8.3/10 from 129,989 users metascore: 76/100
reviews: 589 user | 333 critic | 50 from metacritic.com
The Big Short
ratings: 8.0/10 from 45,815 users metascore: 81/100
reviews: 185 user | 284 critic | 45 from metacritic.com
Bridge of Spies
ratings: 7.7/10 from 76,219 users metascore: 81/100
reviews: 241 user | 384 critic | 48 from metacritic.com
The Martian
Ratings: 8.1/10 from 298,294 users Metascore: 80/100
Reviews: 803 user | 501 critic | 46 from Metacritic.com
Mad Max: Fury Road
ratings: 8.2/10 from 433,022 users metascore: 89/100
reviews: 1,416 user | 698 critic | 47 from metacritic.comoom
Spotlight
ratings: 8.3/10 from 30,868 users metascore: 93/100
reviews: 150 user | 236 critic | 44 from metacritic.com
Brooklyn
ratings: 7.7/10 from 17,895 users metascore: 87/100
reviews: 95 user | 231 critic | 42 from metacritic.com
The first score is how the kids vote them and the metascore is who well journalists rate them. I find the higher the metascore, aboove 80, the more the film appeals to middle-age and older audiences, and the higher the first score, the more younger people like the film. Mind, new movies have high general scores, which drop after a year or so.
I feel the metascoire is less influenced by the arty factor than it is when it comes to Oscar winners. As well, the general vote from younger people seems to move even farther away from the arty factor.