It appears that Art does want to review the articles from part 1 that dealt with homosexual Adolf Hitler and his brutal homosexual thugs of the SS:
Quote: Originally posted by Grosnick Marowbe
They'll still be doing those sinful acts in
the privacy of their own home. Prohibition
didn't work, neither will the addition of
several laws regarding "gayness" work!!
Oops! Wrong homosexualist, wrong post.
Here's an excerpt of an informative 13 page article:
The Pink Swastika as Holocaust Revisionist History
by Judith A. Reisman, Ph.D.
The Institute for Media Education
"The greatest sacrilege to the millions of innocent infant and aged Nazi victims, would be allow these dead to be exploited as political fodder to re-arm the same ideologues who ushered in Germany’s “final solution.”
Are The Victimizers Co-Opting the Holocaust?
Under the banner of The Pink Triangle (a Nazi symbol for incarcerated
homosexuals), a mass media campaign by the major broadcasters, press, educators and now by the legal system, has been awarding Nazi victim status to homosexuals.
Claiming to have been victimized by the Nazis just like the Jews, and Jehovah’s Witnesses and other groups murdered by the Nazis, pink triangles have swept the land, embossed on fancy stationary, upscale check books, flags, posters, stickers, shirts, pins,
and on classroom doors as a “safe space” for “Gay, Bisexual, Transgendered and Questioning Youth,” and the like. After losing nearly all of my Jewish family in the gas chambers during World War II, and being old enough to remember that war, I was deeply
disconcerted when Holocaust museums world wide advertised new exhibits alleging the Nazi mass murder of homosexuals.
One of the complaints of museum curators has been the dearth of evidence with which to document museum assertions of a Nazi animus toward homosexuals. Now, here come the authors of The Pink Swastika: Homosexuality in the Nazi Party, Scott Lively
and Kevin Abrams, charging that there is a reason why evidence of a fatal form of Nazi “homophobia” has been uniformly lacking.
For Lively and Abrams instead document the homosexual movement as the agents that ensconced National Socialism (the Nazi party) and Adolf Hitler, thus triggering a holocaust which engulfed all of Europe.
Hitler’s Silence on Homosexuality in Mein Kampf
Writing of those days in The Mass Psychology of Fascism, radical German sexologist and Hitler contemporary, Wilhelm Reich, warned that Nazi leadership was both ideologically and actually homosexual. Almost as an aside, Reich noted Nazi leaders such as “Bluher, Roehm.... Rosenberg” represented Hitler’s fascism, which was,
Reich said, “a male state organized on a homosexual basis.”
But, the confirmation of a Nazi homosexual bias are found in the formal writings of Adolf Hitler himself, in the bible of the Nazi movement, Mein Kampf [My Struggle].
Here the reader meets up with page after page of Hitler’s outspoken hatred of Jews, Marxists, Negroes, Chinese, Arabs, women, and all Eastern Europeans along with his overwhelming worship of power and disdain for Judeo-Christian morality alongside his strategy for world domination. In his introduction to Mein Kampf, Konrad Heiden
reconfirms Hitler’s hatred for Christianity, as he viewed the “belief in human equality” to be a Jewish plot, made popular due to “Christian churches”. Hitler here outlines who he and Germany should hate. He hid nothing. Jews and the like were subhuman, they were “parasites” “vampires,” “liars” “cowards,” “traitors,”
among other adjectives.
However, search the Nazi manifesto for any animosity, contempt, much less disgust of homosexuals. To do so is to search in vain. In point of fact, as Reich knew personally, Hitler eulogized and venerated the archetypal super macho Aryan male, for whom women were seen to serve the role of breeders for the race of supermen. The Furher’s contempt for women is made vivid by the abnormal way in which he used his niece and the few other women close to him, including Eva Braun.
Contemporary Homosexual Nazi Fashion
Hitler outlined in Mein Kampf who would live and who would die: He stated who would be slave and who would be master. The Pink Swastika opens his fascist bible to the prototypical Nazi macho homosexual male best expressed today in the widely popular “Tom of Finland” fantasy drawings sold in all homosexual book stores, magazines, as well as in general advertisements for “gay” films and phone sex.
Common are the blond, square jawed muscle men wearing
Luftwaffe caps, skin tight black pants, high black polished boots,
sporting a black leather strap going from the shoulder diagonally
across a hairless, bare, Aryan chest, a whip swishing alongside
the hero’s slim hips. He will commonly dominate a dark haired
male who cowers near or under his Nazi style boots. All in
imitation of the Nazi uniform, careful to avoid the actual uniform
and thus to reveal even to the most naïve, how fascistic and
sadistic is homosexual “art.”...
http://www.drjudithreisman.com/archives/pink_swastika.pdf
http://www.theologyonline.com/forums/showpost.php?p=3170588&postcount=918
Refute any nonfactual information from Dr. Reisman's article Art.
